Indie Memphis Announces Leadership Transition

 
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Executive Director Ryan Watt to leave organization in early 2021

 

Aug. 31, 2020 | Memphis, Tenn. – Indie Memphis today announced that executive director Ryan Watt is leaving the organization. Watt, who has led the independent film organization since 2015, will continue in his role until a replacement is selected.


“After six remarkable years, Ryan has decided the time has come for him to explore other creative opportunities,” said Brett Robbs, Indie Memphis board president. “A leader of Ryan’s effectiveness and vision will be deeply missed. But thanks to all he has helped us accomplish Indie Memphis is well-positioned to continue to grow and serve the needs of our entire community.”


Under Watt’s leadership, annual revenue for Indie Memphis more than tripled. Programs grew in number and inclusiveness through an expanded annual film festival, weekly cinema offerings, a youth film program, and strengthened artist development efforts with more than $300,000 paid to artists in grants and prizes.


“I am forever indebted to our staff, board, volunteers, and supporters who have made this an incredible experience,” Watt said. “Supporting some of the most creative artists in the world has been a dream job. I am excited to help recruit our next leader and continue supporting the bright future of Indie Memphis.”


A committee, led by Robbs, will conduct a national search for a new executive director. The job announcement will be posted soon on the Indie Memphis website and on other online platforms. Inquiries may be sent to apply@indiememphis.com. For more information, visit indiememphis.org.


Brett Robbs
(901) 302–6546
brettrobbs926@gmail.com

Media Contact
James Dowd

(901) 233–6457
jamesdowd@yahoo.com

Ryan Watt
(901) 240–9660
ryan@indiememphis.com

Indie Memphis Announces 2020 Residency-Fellowship Winners + NEW Nonfiction Grant for Black Filmmakers

Support for the Indie Memphis Black Filmmaker Residency and Fellowship in Screenwriting is provided by the Remembering George Riley Fund and The Arthur F. and Alice E. Adams Charitable Foundation.

Support for the Indie Memphis Black Filmmaker Residency and Fellowship in Screenwriting is provided by the Remembering George Riley Fund and The Arthur F. and Alice E. Adams Charitable Foundation.

Through the Black Creators Forum, Indie Memphis continues its commitment to amplify and support Black filmmakers by expanding available opportunities with an additional screenwriter chosen for the 2020 Black Filmmaker Residency and Fellowship for Screenwriting -- as well as the launch of a new non-fiction filmmaking grant.

This year's national screenwriting residency includes two recipients -- Damon Davis with SINS OF THE FATHER and Seren Sensei with her screenplay, KITT. Each resident will receive a $7,500 unrestricted cash grant and a two month residency -- with the opportunity to reside in Memphis for two months, including travel and housing.

For Memphis screenwriters, this year's fellowship for screenwriting is awarded to Zaire Love to develop her screenplay SUE & THE MOTHER'S BOARD. Love will also receive a $7,500 unrestricted cash grant and two months of support to work on her project.

The 2020 screenwriting residents and Memphis-based fellow were handpicked by director Boots Riley from a selection of outstanding finalists.

“While selecting the winners of the 2020 Indie Memphis Black Filmmaker Residency and Fellowship for Screenwriting, there was such an abundance of talent to choose from that it got me excited for the future of filmmaking. I couldn’t choose all of them,” says Riley. “I chose the three winners based on their audacity of vision, their passion, and that they are films that I can’t wait to see. Congratulations to everyone.”

Moreover, Indie Memphis is excited to announce the launch of the Black Creators Forum Non-Fiction Filmmaking Grant -- presented alongside The CLTV and sponsored by Mark Jones. The grant will provide $5,000 in cash to a Memphis-based Black filmmaker to produce a non-fiction short film. Applications must be submitted by 11:59pm CST on August 9th, 2020.

“We are thrilled to partner with longtime collaborators The CLTV and to offer material support for Black filmmakers (and aspiring filmmakers) in Memphis,” said Miriam Bale, Indie Memphis Artistic Director. “This new grant plus our Residency and Fellowship continue our goal of making Memphis a hub of original, creative, and truly independent film for Black artists.”

Residency Winners

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Damon Davis

for SINS OF THE FATHER

Damon Davis is an award-winning, post-disciplinary artist who works and resides in St. Louis, Missouri. His work spans across a spectrum of creative mediums to tell stories exploring how identity is informed by power and mythology. Davis is co-director of the critically acclaimed film Whose Streets? documenting the Ferguson Uprising. He is a 2015 Firelight Media Fellow, 2016 Sundance Music and Sound Design Lab Fellow, 2017 TED Fellow, and 2017 Root100 Honoree, his work is featured in the permanent collection at the Smithsonian’s National Museum of African American History and Culture, and he has exhibited at Art Basel Miami, the Museum of Contemporary African Diaspora Arts, and the San Diego Contemporary Museum of Art.

 
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Seren Sensei

for KITT

Seren Sensei is a cultural critic, filmmaker, writer, and artist. Her cultural criticism has been printed in such publications as Riot Material and NYLON, and referenced in Jacobin Mag, Vulture, Complex, Newsweek, AJ+, People, Netflix, Vice, and more. Specializing in race, culture, and sociopolitical theory, she also facilitates an active community of over 43,000 subscribers and 7 million views on her YouTube channel, where she has released two seasons of the documentary web series ‘The [Black] Americans.’

 

Residency Finalists

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Jessica Funches

for LOST PEOPLE

Jessica L. Funches began her career in EPK and DVD bonus feature production for major studios including Warner Brothers, Disney and Universal. She has worked as producer, writer and director on a wide range of projects including documentaries, short films, feature films, and television series.  Jessica's short film, "Hope's Choice," played at the 2005 Cannes International Film Festival in the Kodak Emerging Filmmkaker's Showcase while her debut feature film, "Something is Killing Tate," won over a dozen festival awards and premiered on the Starz network in 2009.

 
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Letia Solomon

for DOORS

Letia Solomon is an award-winning filmmaker based in Los Angeles. She graduated from USC's MFA program in TV & Film Production and received the award for Outstanding Director from the School of Cinematic Arts 2020 First Look Faculty Awards. Her thesis film, The Cypher, was nominated for the Best Student Film in the 2020 Tribeca Film Festival, featured in CAA’s 2020 Moebius Short Film Showcase, and selected in ABFF’s 2020 HBO Short Film Competition. Letia’s goals are to direct and produce for both film and television.

 

Fellowship Winner

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Zaire Love

for SUE & THE MOTHER'S BOARD

Zaire Love is a filmmaker and music maker whose work honors and amplifies the voices of the Black South. She is a native of Memphis, Tennessee, and a graduate of Spelman College, Houston Baptist University, and the University of Mississippi. The South has always had cornbread to share; Zaire is just adding creative packaging and shipping it worldwide through her films and music.

 

Fellowship Finalists

Aisha Raison

for 4 Part Melodie

Aisha Raison is an award-winning midtown Memphis filmmaker and photographer who hails from Ripley, Tennessee. She has been a photographer since she was three, but took those skills later in life to create films starting in 2012 with films such as Girls Like Me: a self/love story (2017), Dancin' to the Blue Moon (2018) and Stolen Moments on the 8th Flo' (2020).

 
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Brandi Nicole Payne

for SPIN

Brandi Nicole Payne is an artivist whose work has aired on television and screened at festivals across the globe. An HBO Writers Program Fellow, Emergence Filmmakers Grant recipient and proud member of RAINN's Speakers Bureau, her goal is to use story to create community and facilitate healing.

 
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Andre Jackson

for BOLEY USA

Andre Jackson is an award-winning Broadway, film, and television actor and writer. He is the co-founder of GRANDchild Productions – a media production company whose first short film STOP earned nationwide critical praise and festival recognition, including an Official Selection by the Indie Memphis Film Festival! Originally from Forrest City, Arkansas, Andre has been a Memphis transplant for over 10 years and is proud to call the “River City” his home.


Support for the Indie Memphis Black Filmmaker Residency and Fellowship in Screenwriting is provided by the Remembering George Riley Fund and The Arthur F. and Alice E. Adams Charitable Foundation.

Programs such as the Indie Memphis Black Filmmaker Residency and Fellowship in Screenwriting are made possible with FilmCraft grant support from The Academy of Motion Picture Arts and Sciences.

The Indie Memphis Black Creators Forum Non-Fiction Filmmaking Grant is presented in partnership with The CLTV and sponsored Mark Jones.

Boots Riley to Select Black Screenwriter Resident and Fellow

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Indie Memphis is holding steadfast to our goals of supporting black filmmakers. We are proud to announce that Boots Riley will select this year's Black Filmmaker Resident (non-Memphians) and Fellow (Memphians) for Screenwriting! (Barry Jenkins chose last year’s Resident and Fellow, Jamey Hatley and Raven Jackson, respectively.)  The Residency brings a filmmaker to Memphis (travel permitted) for two months to work on a screenplay, supported by guidance, mentorship, and a $7500 cash stipend. The Fellowship is a similar opportunity exclusively for Memphis Residence. The Fellowship was set up last year with a grant from Mr. Jenkins, and we are pleased to continue it this year with new support from Remembering George Riley Fund and The Arthur F. and Alice E. Adams Charitable Foundation.

Please see below for more information on how to apply to both programs. All applicants must be received by April 12 at 11:59pm CST.


Boots Riley to Select Next Recipient of Indie Memphis Black Filmmaker Residency for Screenwriting

Indie Memphis is excited to announce the return of the Black Filmmaker Residency for Screenwriting, supported by the Remembering George Riley Fund. The 2020 Resident will be selected by award-winning screenwriter/director, Boots Riley (SORRY TO BOTHER YOU) and will receive two months housing in Memphis, a $7,500 unrestricted cash grant, professional support, and roundtrip travel accommodations. Their screenplay must be for a feature-length film intended to be produced in Memphis. 

Applications must be submitted by 11:59pm CST on April 12th, 2020.

NOTE: Must be a resident from outside the Greater Memphis Metro area; an objective of this program is to bring new film productions to Memphis. Memphis filmmakers are invited to apply for this year's Black Filmmaker Fellowship for Screenwriting and IndieGrants.


Boots Riley to Select Next Recipient of Indie Memphis Black Filmmaker Fellowship for Screenwriting

Memphis filmmakers! The Indie Memphis Black Filmmaker Fellowship in Screenwriting is back for its second year. The recipient of the fellowship will be selected by none other than award-winning screenwriter/director, Boots Riley (SORRY TO BOTHER YOU). This fellow will work in the same timeframe as our visiting Screenwriting Resident, Sept 1st - Nov 1st, and have a completed screenplay in November 2020.

Applications must be submitted by 11:59pm CST on April 12th, 2020.

NOTE: Must be a resident of the Greater Memphis Metro area. Non-Memphis residents are invited to apply for the Indie Memphis Residency for Screenwriting.

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New Opportunities for Memphis Filmmakers

$39,000 in Short Film Production Grants

During these crazy times, Indie Memphis is proud to cut through the noise of fear and uncertainty by offering up a bright spot of good news and excitement... Check out what new exciting opportunities we have available for all Memphis filmmakers with our 2020 IndieGrants announcement!


Now entering its 7th year, Indie Memphis' IndieGrants continue to expand by creating more opportunities for Memphis-based filmmakers. In an effort to expand the program going forward, we are excited to announce that one of the two narrative grants will now be open to a feature film project in development in our new Proof of Concept Short Film IndieGrant!  The remaining standard narrative short film grant, as well as the documentary grant, will remain unchanged. 

Applications must be submitted by 11:59pm CST on August 2nd, 2020.

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Indie Memphis Cinema

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2019 Indie Memphis Film Festival Announces Closing Night Film

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// SEAN PRICE WILLIAMS CINEMATOGRAPHY AWARD + RETROSPECTIVE

(October 18, 2019 | Memphis, TN) Indie Memphis Film Festival, presented by Duncan Williams, Inc., is pleased to announce this year’s Closing Night Film as well as a Cinematographer Spotlight. The 2019 festival spans from October 30th - November 4th, 2019. 

The Closing Night Film is JUST MERCY by Destin Daniel Cretton, in which he reunites with his SHORT TERM 12 leading lady Brie Larson; the film also stars Michael B. Jordan, Jamie Foxx, Rob Morgan, Tim Blake Nelson, and Rafe Spall and tells the powerful true story of Walter McMillian, who with the help of young defense attorney Bryan Stevenson appeals his murder conviction.

In addition, Indie Memphis also announces that the recipient of this year’s Cinematographer Spotlight will be Sean Price Williams. Williams will attend the festival and take part in retrospective screenings of some of his past work, as well as receive this year’s annual Cinematography Award (last year’s recipient was Oscar-nominee James Laxton of MOONLIGHT). He is most notably DPed the films of well-regarded directors like The Safdie Brothers (GOOD TIME, HEAVEN KNOWS WHAT), Nathan Silver (THIRST STREET, THE GREAT PRETENDER), and Alex Ross Perry (HER SMELL, GOLDEN EXITS), among others. Williams will also be in conversation with film critic Nick Pinkerton about his career and influences for a separate event on November 3rd. 

About honoring Williams this year, Artistic Director Miriam Bale says, "Sean Price Williams is clearly one of the most creative and prolific contributors to indie film of the last decade plus. Cinematographers aren't focused on as often as directors are, so we're thrilled to make that a focus of Indie Memphis. This year, in addition to the award, we are doing a spotlight of films our honoree has shot, which is a rare opportunity to look at them as a group, to compare their similarities and differences, and maybe to expand definitions of authorship and auteurism."

Additional upcoming announcements will include the Black Creators Forum program, IndieTalks Panels, Workshops, Live Music Lineup, and more.

Pictured: Michael B. Jordan and Jamie Foxx in JUST MERCY

Pictured: Michael B. Jordan and Jamie Foxx in JUST MERCY

CLOSING NIGHT

JUST MERCY (Dir. Destin Daniel Cretton)

Destin Daniel Cretton (SHORT TERM 12) directs the powerful true story of Walter McMillian, who with the help of young defense attorney Bryan Stevenson appeals his murder conviction. The film stars Michael B. Jordan, Jamie Foxx, Rob Morgan, Tim Blake Nelson, Rafe Spall, and Brie Larson.
2019, 137 min, Drama

Pictured from left to right: CHRISTMAS AGAIN, GOOD TIME, ONE MAN DIES A MILLION TIMES, THIRST STREET

Pictured from left to right: CHRISTMAS AGAIN, GOOD TIME, ONE MAN DIES A MILLION TIMES, THIRST STREET

CINEMATOGRAPHER SPOTLIGHT: SEAN PRICE WILLIAMS

Sean Price Williams Will Be in Attendance for All Screenings

CHRISTMAS AGAIN
Dir. Charles Poekel

A heartbroken New York Christmas tree salesman spends the season living in a trailer and working the night shift until a mysterious woman and some colorful customers appear.
2014, 80 min, Drama


GOOD TIME
Dirs. Benny and Josh Safdie

After a botched bank robbery lands his younger brother in prison, Connie Nikas (Robert Pattinson) embarks on a twisted odyssey through New York City to get his brother Nick out of jail. 
2017, 101 min, Drama/Thriller


ONE MAN DIES A MILLION TIMES
Dir. Jessica Oreck

A true story, set in the future, about seeds and genetic diversity, growth and decay. Two people work to preserve a seed bank as a city starves around them.
2019, 97 min, Drama


THIRST STREET
Dir. Nathan Silver

A flight attendant who is grieving over her lover's suicide begins to lose sight of reality when she falls for a Parisian bartender.
2017, 83 min, Comedy/Drama

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2019 Indie Memphis Film Festival Announces Full Slate

Images of Kasi Lemmons’ HARRIET, Céline Sciamma’s PORTRAIT OF A LADY ON FIRE, William Crain’s BLACULA, and Jim Jarmusch’s THE DEAD DON’T DIE

Images of Kasi Lemmons’ HARRIET, Céline Sciamma’s PORTRAIT OF A LADY ON FIRE, William Crain’s BLACULA, and Jim Jarmusch’s THE DEAD DON’T DIE

2019 INDIE MEMPHIS FILM FESTIVAL ANNOUNCES FULL SLATE, INCLUDING KASI LEMMON’S HARRIET AS OPENING NIGHT FILM, WORLD PREMIERE SCREENINGS, SPECIAL PRESENTATIONS WITH JIM JARMUSCH IN ATTENDANCE, AND MORE

(October 1, 2019 | Memphis, TN) Indie Memphis Film Festival, presented by Duncan Williams, Inc., is pleased to announce the full slate of films for its 2019 incarnation, spanning from October 30th - November 4th, 2019. This year’s festival promises to be a very exciting and wildly varied one, featuring films ranging from new discoveries to beloved classics, from festival hits to experimental wonders, and everything in-between. 

The 2019 festival features work from up-and-coming filmmakers, as well as festival hits such as Agnès Varda’s final film VARDA BY AGNÈS and Céline Sciamma’s PORTRAIT OF A LADY ON FIRE. This year’s very exciting Special Presentations includes Jim Jarmusch in attendance for the 30th Anniversary of his now-classic Memphis-set film MYSTERY TRAIN and a screening of his latest THE DEAD DON’T DIE, with Jarmusch in conversation with The New Yorker’s Richard Brody.  

In addition, there will be a Halloween screening of the classic BLACULA (on Halloween) and the previously announced Sara Driver Retrospective (and sidebar of Driver’s favorite spooky inspirations) with Driver in attendance, and Memphis native Ira Sachs in attendance for his latest film, FRANKIE. Many other filmmakers will also be attendance and are detailed below.

The Opening Night film is Kasi Lemmons’ HARRIET, based on the thrilling and inspirational life of iconic American freedom fighter, Harriet Tubman. There will also be a very special, can’t-miss Secret Presentation of a much-buzzed-about upcoming release (we’d love to tell you, but we can’t!). Rounding out the festival slate are the Narrative and Documentary Competition sections, featuring the World Premiere of Eli Daughdrill’s FAITH, Spotlight Narrative and Documentary sections featuring festival favorites, the Departures section featuring experimental/hybrid films that divert from expectations, the music-centric Sounds section, and the Hometowner section, filled with films by Memphis-based artists.

“Our program this year is full of eccentric characters, and I think Memphis audiences are going to show these films some love,” says Indie Memphis Artistic Director Miriam Bale. “Our narrative films, especially, are dominated by stories told by women directors, especially women of color, as it should be.”

The festival continues to feature live music performed in the theaters before every screening and the annual block party on Cooper Street, which this year will include the return of the band Unapologetic, performing to coincide with the release of their new album Stuntarious IV. Acts performing include AWFM, PreauXX, IMAKEMADBEATS, C Major, Kid Maestro, She’Chinah, Aaron James, Cameron Bethany, and special guests.

Additional upcoming announcements will include the Black Creators Forum program, IndieTalks Panels, Workshops, Live Music Lineup, and more.

The 2019 slate was unveiled publicly on the evening of October 1st at the venue Rec Room in Memphis, TN. For more information, please visit http://indiememphis.com/.

Narrative Competition +

Alphabetical by Category

OPENING NIGHT HARRIET (Dir. Kasi Lemmons) Based on the thrilling and inspirational life of an iconic American freedom fighter, HARRIET tells the extraordinary tale of Harriet Tubman's escape from slavery and transformation into one of America’s greatest heroes -- freeing hundreds of slaves while changing the course of history. 2019, 125 min, Drama, English

SECRET SCREENING Trust us, you won’t want to miss this.

NARRATIVE COMPETITION +

FAITH (Dir. Eli Daughdrill) - World Premiere A devout Evangelical Christian struggles with his faith and against the insistent pressures from his family and community after a sudden and unexpected tragedy. Filmmaker Eli Daughdrill in attendance. 2019, 84 min, Drama, English

JEZEBEL (Dir. Numa Perrier) Two sisters living in Las Vegas encourage each other to explore and exploit their sexuality. Filmmaker Numa Perrier in attendance. 2019, 84 min, Drama, English

LUCKY GRANDMA (Dir. Sasie Sealy) Set in New York City's Chinatown, an ornery, chain-smoking Chinese grandma goes all in at the casino, landing herself on the wrong side of luck - and in the middle of a gang war. 2019, 100 min, Comedy/Drama

DE LO MIO (Dir. Diana Peralta) Three siblings reunite in the Dominican Republic and face their demons as they let go of their last connection to their motherland. Filmmaker Diana Peralta in attendance. 2019, 74 min, Comedy/Drama

NO ORDINARY LOVE (Dir. Chyna Robinson) Lines between romantic ideals and control become blurred in this romantic thriller through the eyes of two women, abused in different ways by their “loving” husbands -- but the escape they seek may be deadly. Filmmaker Chyna Robinson in attendance. 2019, 99 min, Romance/Thriller

DOCUMENTARY COMPETITION BEST BEFORE DEATH (Dir. Paul Duane) - North American Premiere A glimpse of artist Bill Drummond (at one time a musician in the KLF) over a two-year period during his ambitious 12-year world tour. He works in Lexington, North Carolina, and in Kolkata, India, building beds, baking cakes, making soup and shining shoes. Producer Robert Gordon in attendance. 2019, 93 min, Documentary, English

BORDER SOUTH (Dir. Raúl O. Paz-Pastrana) To stem the immigration tide, Mexico and the U.S. collaborate to crack down on migrants, forcing them into ever more dangerous territory. Filmmaker Raúl O. Paz-Pastrana in attendance. 2019, 88 min, Documentary, English/Spanish

MIDNIGHT IN PARIS (Dirs. Roni Moore & James Blagden) The intense anticipation of prom week lights up this warmhearted, sometimes cheeky look at the teenagers of Flint, Michigan. Filmmakers Roni Moore & James Blagden in attendance. 2019, 75 min, Documentary, English

VISION PORTRAITS (Dir. Rodney Evans) Through illuminating portraits of three artists: a photographer, a dancer and a writer, the film looks at the ways each artist was affected by the loss of their vision and the ways in which their creative process has changed or adapted. 2019, 78 min, Documentary, English

SPOTLIGHT: NARRATIVE ATLANTICS (Dir. Mati Diop) Part drama, part ghost story, Director Mati Diop harnesses fantasy and social relevancy in this haunting tale of love. 2019, 104 min, Drama, French with English Subtitles

CLEMENCY (Dir. Chinonye Chukwu) Bernadine (Oscar-nominee Alfre Woodard) is a stoic prison warden, but two back-to-back executions put a strain on her marriage, career and convictions. Co-starring Danielle Brooks (“Orange is the New Black”), Richard Schiff (“The West Wing”), and Wendell Pierce (“The Wire”).
2019, 104 min, Drama, English

FRANKIE (Dir. Ira Sachs) Three generations grappling with a life-changing experience during one day of a vacation in Sintra, Portugal, a historic town known for its dense gardens and fairy-tale villas and palaces. Starring Isabelle Huppert in the title role, with Marisa Tomei, Greg Kinnear, and Brendan Gleeson. Filmmaker Ira Sachs in attendance. 2019, 98 min, Drama, English/French

IN FABRIC (Dir. Peter Strickland) A lonely divorcee visits a bewitching London department store to find a dress to transform her life. She soon finds a perfect, artery-red gown that unleashes a malevolent, unstoppable curse. With Marianne Jean-Baptiste (SECRETS & LIES), Hayley Squires (I, DANIEL BLAKE), and Gwendoline Christie (“Game of Thrones”). 2019, 118 min, Comedy/Horror, English

I WAS AT HOME, BUT... (Dir. Angela Schanelec) After a 13-year-old disappears for a week and suddenly reappears, his mother and teachers are confronted with existential questions that change their whole view of life. 2019, 75 min, Drama, German with English Subtitles

LITTLE JOE (Dir. Jessica Hausner) Alice (Emily Beecham, HAIL CAESAR!), a single mother, is a dedicated senior plant breeder at a corporation engaged in developing new species. Against company policy, she takes one home as a gift for her teenage son, Joe (Kit Connor, ROCKETMAN). With Emmy-winner Ben Whishaw (A VERY ENGLISH SCANDAL). 2019, 105 min, Drama/Sci-Fi, English

PORTRAIT OF A LADY ON FIRE (Dir. Céline Sciamma) In 1770 the young daughter of a French countess develops a mutual attraction to the female artist commissioned to paint her wedding portrait. 2019, 119 min, Drama, English

SELAH AND THE SPADES (Dir. Tayarisha Poe) In the closed world of an elite Pennsylvania boarding school, the student body is run by five underground factions. One of these groups is the Spades, which includes Selah (Lovie Simone), Maxxie (Jharrel Jerome), and possibly new student Paloma (Celeste O'Connor). 2019, 97 min, Drama, English

SPOTLIGHT: DOCUMENTARY HORROR NOIRE (Dir. Xavier Burgin) Delving into a century of genre films that by turns utilized, caricatured, exploited, sidelined, and finally embraced them, Horror Noire traces the untold history of Black Americans in Hollywood through their connection to the horror genre. With Jordan Peele (US), Keith David (THEY LIVE), Loretta Devine (WAITING TO EXHALE), Ken Foree (DAWN OF THE DEAD), Tony Todd (CANDYMAN), and more. Filmmaker Xavier Burgin in attendance. 2019, 83 min, Documentary, English

MEMPHIS ‘69 (Dir. Joe LaMattina) A year after Martin Luther King, Jr. was assassinated, a group of blues legends came together to celebrate the 150 year anniversary of Memphis, TN. This concert documentary, shot over 3 days in June of 1969, celebrates an American art form that unites us all. 2019, 72 min, Documentary, English

VARDA BY AGNÈS (Dir. Agnès Varda) An unpredictable documentary from a fascinating storyteller, Agnès Varda’s new feature documentary sheds light on her experience as a director, bringing a personal insight to what she calls “cine-writing.” 2019, 115 min, Documentary, French with English subtitles

THE HOTTEST AUGUST (Dir. Brett Story) A film about climate change, disguised as a portrait of collective anxiety. 2019, 95 min, Documentary, English

DEPARTURES Films That Depart from Expectations EMPTY METAL (Dir. Adam Khalil, Bayley Sweitzer) The lives of several people, each inhabiting extreme poles of American social and political consciousness, weave together as each attempts to achieve some kind of forward motion, sometimes in contradiction, and always under the eye of far more controlling powers. 2018, 85 min, Thriller, English

THE WORLD IS FULL OF SECRETS (Dir. Graham Swon) During a sleepover one night, teenage girls share stories with each other about things that frightened them. 2018, 98 min, Drama/Horror, English

UN FILM DRAMATIQUE (Dir. Éric Baudelaire) - U.S. Premiere For four years Éric Baudelaire regularly met with students from the film group at Dora Maar middle school in Saint-Denis. Time for them to grow together, time to find the form of a film in which they would be the true subjects: its characters, its authors and its promise. 2019, 114 min, Documentary, French with English Subtitles

SOUNDS Films That Celebrate Music BAKOSÓ: AFROBEATS OF CUBA feat. Distant Planet (Dir. Eli Jacobs-Fantauzzi) Through stunning visuals and a score created by the founders of the genre, the film shows the technology, culture and landscape that shape the African-Caribbean fusion known as Bakosó. 2019, 49 min, Documentary, Spanish with English subtitles

THE UNICORN (Dir. Isabelle Dupuis & Tim Geraghty) Peter Grudzien, creator of The Unicorn LP, the first openly gay country psychedelic album, navigates mental illness and the chaos of his family to ultimately find refuge in the creative world of music. Filmmakers Isabelle Dupuis & Tim Geraghty in attendance. 2019, 92 min, Documentary, English

YOU GAVE ME A SONG: THE LIFE AND MUSIC OF ALICE GERRARD (Dir. Kenny Dalsheimer) At 84, old-time music pioneer Alice Gerrard performs, teaches, and inspires the next generation while safeguarding memories from her groundbreaking past. Filmmaker Kenny Dalsheimer in attendance. 2019, 80 min, Documentary, English

HOMETOWNER FEATURES Films by Memphis Filmmakers COLD FEET (Dir. Brad Ellis, Allen C. Gardner) - World Premiere At a rented house, Eddie and his best friends unite for his bachelor party, and a night of soul-searching and ball-busting ensues. The next day, though, a fight for sanity and survival begins when they discover that there's a ghost inside the house and that there are snipers outside of it, none of whom want the guys to leave. 2019, 82 min, Horror/Comedy, English

THE HUB - Fresh Docs (Dir. Lawrence Matthews) - World Premiere Documentary following the narrative of a young man recently let go from his low paying warehouse job as he spends his summer navigating Memphis' job and transportation crisis, among his own personal issues. Screening as a “Fresh Docs” rough cut followed by feedback discussion. Filmmaker Lawrence Matthews in attendance. 2019, 60 min, Documentary, English

HUMANITÊ, THE BELOVED COMMUNITY (Dir. Jim Hanon) - World Premiere Jazz artist Kirk Whalum was 9 years old when Martin Luther King jr. was assassinated 14 blocks from his home in Memphis Tennessee. In a narrative spanning from his own childhood to the thriving global music scene, Kirk collaborates with other artists on a musical journey. 2019, 68 min, Documentary, English

IN THE ABSENCE (Dir. Jordan Danelz) - World Premiere A documentary addressing the long term effects of disinvestment in core city neighborhoods and what Memphis is doing about it. 2019, 90 min, Documentary, English

LIL BUCK: REAL SWAN (Dir. Louis Wallecan) Dancer Lil' Buck grew up jookin and bucking on the streets of Memphis. After a breathtaking video of him dancing to Camille Saint-Saëns' "The Swan" accompanied by cellist Yo-Yo Ma went viral, everything changed. 2019, 85 min, Documentary, English

THIS CAN’T BE LIFE (Dir. Jessica Chaney) - World Premiere Three 30-something sister-friends grapple with making sense of life. Amid career and personal highs and lows, life doesn’t turn out as expected. 2019, 60 min, Drama, English

HALLOWEEN FEATURE BLACULA (Dir. William Crain) During a visit to Transylvania, an African prince (William Marshall) is turned into a vampire by Count Dracula (Charles McCauley) and reawakens in 1970s Los Angeles, leaving a trail of bloodless victims in his wake. 1972, 92 min, Horror, English

SPECIAL EVENTS MYSTERY TRAIN (Dir. Jim Jarmusch) Taking place over the course of one evening, three stories collide in a tacky, low-rent Memphis motel dedicated to Elvis Presley, featuring foreign tourists, criminals on the run, and the spirit of the King himself. With Steve Buscemi, Cinqué Lee, Tom Noonan, Vondie Curtis-Hall, and Tom Waits, among others. Filmmaker Jim Jarmusch in attendance. 1989, 110 min, Comedy/Drama, English

THE DEAD DON’T DIE (Dir. Jim Jarmusch) A star-studded horror comedy featuring an ensemble cast in a raucous, rueful and satirical glimpse at American habits and desires at the end of the world — a comically terrifying state of the nation addressed in a true cinematic original. With Bill Murray, Adam Driver, RZA, Tom Waits, Chloë Sevingny, and Steve Buscemi, among others. Filmmaker Jim Jarmusch in conversation with New Yorker film critic Richard Brody. 2019, 104 min, Comedy/Horror, English

DOWNTOWN 81 (Dir. Edo Bertoglio) This legendary New York 1980s time capsule stars Jean-Michel Basquiat, with appearances by Debbie Harry, Glenn O’Brien, and Fab 5 Freddy. It was filmed in 1980 and 1981, yet made its debut at the Cannes Film Festival in 2000. Nearly forty years after its production and twenty since its first release, the film has been recently digitally restored. 1981/2000, 75 min, Drama, English

Les Blank and Alice Gerrard Program: CHULAS FRONTERAS (Dir. Les Blank & Chris Strachwitz) Celebrates the famed Mexican-American musicians of the borderlands, the migrant farming communities from which they come, the strong family bonds of Tejanos, and the social protest ethos inscribed in their music. 1978, 58 min, Documentary, Spanish/English

“Sprout Wings and Fly” (Dir. Les Blank, Cece Conway, & Alice Gerrard) A short documentary film about the life of old-time fiddler and banjo player, Tommy Jarrell, a fiddler from North Carolina. (Co-directed by Alice Gerrard, subject of the documentary screening separately, YOU GAVE ME A SONG) 1983, 30 min, Documentary, English

SAY AMEN, SOMEBODY (Dir. George Nierenberg) Beautiful 4K restoration of one of the most acclaimed music documentaries of all time — a joyous, funny, deeply emotional celebration of African American culture. With live gospel performance by The Sensational Barnes Brothers featuring Wendell Weathers and Greater Purpose. 1982, 100 min, Documentary, English

SARA DRIVER RETROSPECTIVE All films with Sara Driver in attendance! BOOM FOR REAL (Dir. Sara Driver) Sara Driver explores the pre-fame years of the celebrated American artist Jean-Michel Basquiat, and how New York City, its people, and tectonically shifting arts culture of the late 1970s and '80s shaped his vision. 2018, 89 min, Documentary, English

SLEEPWALK (Dir. Sara Driver) A group of Chinese tales have a strange effect on the life of a New York City office worker, when he takes a job translating the old manuscript. 1986, 78 min, Drama/Fantasy, English

WHEN PIGS FLY (Dir. Sara Driver) Two ghosts help an unwed jazz musician (Alfred Molina) and a bar dancer (Maggie O'Neill) reverse their bad fortune. 1993, 98 min, Comedy, English

YOU ARE NOT I (Dir. Sara Driver) Sara Driver's directorial debut -- a young woman escapes from a mental hospital during the chaos of a nearby car accident and is driven to her sister's house in this haunting adaptation of a 1948 short story by Paul Bowles. 1981, 48 min, Drama, English

The Sara Driver retrospective includes two films selected by Driver:

CAT PEOPLE (Dir. Jacques Tourneur) Simone Simon stars as a Serbian émigré in Manhattan who believes that, because of an ancient curse, any physical intimacy with the man she loves (Kent Smith) will turn her into a feline predator. 1942, 73 min, Horror/Thriller, English

KURONEKO (Dir. Kaneto Shindô) From director Kaneto Shindô comes a spectacularly eerie twilight tale with a shocking feminist angle, evoked through ghostly special effects and exquisite cinematography to create a poetic and atmospheric horror fable. 1968, 99 min, Drama/Horror, In Japanese with English subtitles

UNDER THE INFLUENCE BLUE CHIPS (Dir. William Friedkin) A college basketball coach (Nick Nolte) is forced to break the rules in order to get the players (Shaquille O'Neal, Penny Hardaway, Matt Nover) he needs to stay competitive. 1994, 108 min, Drama, English

SORCERER (Dir. William Friedkin) Four unfortunate men from different parts of the globe agree to risk their lives transporting gallons of nitroglycerin across dangerous South American jungle. Starring Roy Schneider. 1977, 122 min, Drama/Thriller, English